Absurdity Masked as Meaning. Moscow’s night-time attack on Kyiv

Absurdity Masked as Meaning

On the night of 15 June 2026, Russia launched one of the most massive strikes on Kyiv since the start of the full-scale war: around 70 missiles of various types and over 600 attack drones. As a result, the Assumption Cathedral of the Kyiv-Pechersk Lavra — a UNESCO World Heritage Site and one of the main Orthodox shrines in Eastern Europe — was damaged, as were the ‘Mystetskyi Arsenal’ cultural complex, the Dovzhenko Film Studio and dozens of residential buildings. According to official figures (as of 12.00 Kyiv time), five people were killed and over thirty were injured.

This is far from the first such strike in over four years of war — and, unfortunately, is unlikely to be the last.

From a purely military point of view, such strikes make no sense. An ancient monastery, a film studio, a museum complex — these are sites of no military significance whatsoever; their destruction does not weaken Ukraine’s defence capabilities, does not alter the situation at the front, and does not bring Russia a single step closer to its stated war aims.

In just over four years, massive missile and drone attacks on Ukrainian cities have failed to break the resistance or force Kyiv to capitulate. The effect is the opposite: society is rallying, support from allies is growing, and every such strike becomes further evidence in international investigations into war crimes.

The result is a paradox: the only measurable ‘outcome’ of the attack is terror against the civilian population and the destruction of the cultural and spiritual heritage that Russia claims to be ‘its own’ and which it supposedly defends.

A strike on an Orthodox cathedral by a country whose rhetoric is built on the defence of ‘traditional values’ and Orthodoxy lays bare the gap between the declared motives of the war and its actual logic — the logic of intimidation, not military expediency.

This disconnect between words and deeds has a well-studied psychological counterpart. It refers to a mechanism known in psychology as projection: a person (or institution) attributes to another the motives, impulses or actions that are in fact characteristic of themselves.

Combined with the rhetorical construct described in the literature on conflict as DARVO (Deny, Attack, Reverse Victim and Offender), this produces a consistent pattern: the aggressor declares themselves the victim of provocation, accuses the actual victim of their own aggression, and backs this up with arguments that are known to be untrue.

In criminal law and criminal psychology, the shifting of blame onto the victim (‘it’s her own fault’, ‘I was forced’) is a long-described and well-recognised pattern of behaviour. It is important to note that courts and expert psychiatrists view such attempts not as a mitigating factor, but rather as an aggravating one: they indicate a lack of remorse and a willingness to continue justifying violence with a narrative that suits them.

When this pattern is replicated at the state level — in the form of official rhetoric about ‘provocations’ and ‘necessary measures’ — it does not become any more plausible; only the scale of the consequences changes.

The strike on the Assumption Cathedral on 15 June 2026 is not merely another tragedy on the list of war crimes. It is an illustration of how deliberately false arguments, used to justify violence, destroy first and foremost that which they are supposedly intended to defend.

Documenting such attacks and holding those responsible to account remain no less important than military and humanitarian aid to Ukraine — because without acknowledging the facts, no ‘logic’ of the aggressor will cease to function on its own.

iskova.news

Last Updated on 15.06.2026 by iskova